I know a few professional electronic music producers. These are people who have more talent, attention to detail, knowledge, and discipline than I do. They all have multiple jobs and hustle to make money. Its crazy challenging to have a creative pursuit be a source of income. You will mix a ton of stress in with your passion. I made a choice to make music a hobby instead of my profession about a decade ago. That was one of the best decisions I ever made.
In the last few years I’ve discovered the joy of not caring if more people discover my music. While I would be unsatisfied if I didn’t have an audience at all, I do not believe I would be happier with twice as many facebook likes. I just feel grateful that there are people out there who care about my music. That is sustaining enough. This is another advantage of not requiring music to be a source of income.
I usually feel lousy about my latest album by the time I release it (though I may not admit it publicly). I am totally burnt out on it, and all I hear are the flaws. I’ve talked with other producers who have experienced the same thing. So if you go through this, then you might be doing it right.
The emotional component that I’m capturing when I compose a track happens during a handful of hours. It probably takes a hundred hours to complete a track. When people react emotionally to my music, they figure that I was feeling deeply when creating it. The reality is that the majority of the time is it more like a puzzle that I am trying to put together. I’ve learned to enjoy a puzzle though.
Even though I spend far less time working on music then I used to, I’m far more productive with that time. I learned lots of shortcuts. I’m not afraid to use tools like quantize and doing lots of note manipulation after playing something that felt like there was some juice in it.
I usually limit a music session to moving some aspect of a song forward. It makes me feel like I’m always making progress.
Don’t get so lost in the minutia in the track that you forget the feeling you are trying to capture. Most people won’t care about the minutia.
Previously, I mentioned that I always iterate through tracks to reduce frustration. Another thing to add to that is that when I open a track, I always try to either add or modify something before closing it. This helps me feel like I’m moving it forward, even if I abandon it later. Unless I’m really in the zone working on a song, a music session will last about 20-60 minutes (my free time is pretty limited these days anyways). I’m pecking away at these tunes, but I don’t care. I used to get so lost in my obsession to produce music that I forget I make music because its fun and emotionally fulfilling. Its important to not to lose sight of this.
Remind yourself that trying things that don’t work out is not a waste of time. When you find yourself frustrated about a project, put it away and do something else creative.
I’ve self mastered all 5 of my albums. I am by no means a mastering jedi – infact, I’m quite an amateur, with almost zero training in the subject. I sent out my second album to get mastered and was totally unsatisfied with the result, so I figured it would be better if I just did it myself. Its a terribly painful and tedious process, and I’m not very good at it either. The best thing about mastering your own tunes is that I inevitably always find mistakes in the mix along the way. This is invaluable. So even if I send out my next album to get mastered by someone who knows what they’re doing, I will always do a first pass so that I can hopefully identify all the mistakes in the mix.
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