Nov
2011

5

miles tones reflections

I’ve never had such a positive experience finishing up an album as I did with this one. Not setting a hard deadline for finishing the album was an excellent decision. It eliminated the element of stress from the tedious and time consuming process of finishing up the tunes (final mixes and mastering). I made loose goals along the way so I had something to aim for, but didn’t feel bad if it took longer to achieve these goals. My free time has diminished greatly from my pre-fatherhood days, so I really wanted to make working on tunes a fun outlet as much as possible.

My drive to promote my music has greatly diminished. I used to spend a lot of time sending out cds and emails to outlets for consideration. I very rarely got any response. It can be fun to share my work with other people, but its also a labor intensive process with a lot of rejection along the way. At this point, a decade in, my music has found some of its audience. There are people who care about it, and that’s pretty sustaining to me. Of course I hope my audience continues to organically grow.

My favorite part of making music is when ideas are flowing well and starting to coming together. It’s not when I’ve finished a track / album. It took 6 or 7 years, but I did eventually learn that it’s really more about the journey then the destination.

I pour myself into these songs. It takes more time then I care to admit. The tracks on this album took many different directions before they were finished. There was a ton of content that was written and removed. Many times I had to remind myself  that trying things that don’t work out is not a waste of time.

All I used to create these songs was my computer, a mixer, two MIDI controllers, a mic, and speakers at slightly uneven heights (and a LOT of software). My recording room is completely untreated, with a tile floor, glass windows, several bikes, and a couple large plastic baby toys that need to be passed along. The recordings always sounded good enough to me. Thank goodness there are tools like RX and Melodyne to clean up my recordings though. I did outsource the some of tricky instrument recording though – thanks very much to the internet + skype.

In the past three years I’ve become aware of what an amateur I am at producing, mixing, and mastering music. I’ve attended workshops with Carmen Rizzo and Rena Jones. I have learned that there is a huge amount of knowledge that I’m lacking. They all have very strong opinions over what gear and software you should use, how to treat your audio, and to never self master your music. If you listen to one my tracks and then of their tracks, you can hear the difference. I don’t think of this as a failure on my part – I just know that there is a lot more to learn, and that later in life I hope to learn more about my craft.

I’ve been making music as general fuzz for over a decade now. I no longer feel the burning need to prove to myself that I can make an album. I also have no intentions to stop creating music. General fuzz has become such an important part of my identity. I hope to create music for the rest of my life, and in theory, I have a lot of time left. I do need to try vary the course some though. I’ve got to try working in different styles and collaborating with different people, so that I can grow as a musician. I need to also take breaks from music, and allow some time for inspiration and motivation to brew.

Releasing an album is very exciting for a number of reasons. One aspect that I have only become aware of recently is that it acts as snapshot of my life. I can now listen to my previous releases and remember what was going on at that time. It’s also something concrete which represents a step forward in my path as a musician.

Most importantly, I’m proud of what I made. So far I have no regrets about the album, which was my ultimate goal. I felt that way after “soulful filling”, and I learned that it was worth aiming for.

Also, this moment brought everything into alignment.

Oct
2011

0

“miles tones” released

miles tones cover art

With great pride and pleasure I’m releasing my sixth general fuzz album, “miles tones”. As always, it’s available as a free download off my website: http://www.generalfuzz.net.

Its been over three years since my last release, and during that time I became a grown up. My 1.5 year old son now takes center stage in my life. There are many musical references in this album reflecting the anticipation, arrival, and development of my son during the past few years.

This album turned out to be sort of a companion album to “soulful filling”. It has that same mellow vibe and melodic sensibility. I’ve decided to attempt to release albums with a more consistent vibe, so all my latest mellow tracks ended up on this one. As a result, the next album will have significantly more bump to it.

I was lucky enough to work a whole mess of truly amazing musicians in past couple years. It was an absolute honor to have Audio Angel, Josh Clark (the guitarist Tea Leaf Green, a band I have seen 20+ times), Ryan Avery, Phoebe Jevtovic Alexander, Jesse Ivry, Emiel Stöpler, Shakiban, Peter Medland, and Ryan Hughes in my “studio”. I’m particularly grateful to Ryan Avery, a stellar violinist and electronic music composer, who generously came over to my studio many times to help flush out some tracks. If you dig my music, you should definitely check out his – its in a similar vein to mine.

I decided not to make any CDs for this release, since its wasteful, expensive, and, really, its sorta pointless in this day and age. I’m always very grateful for donations, and the money always goes directly back into my music. I’ve added 4 awesome new “locked” bonus tracks to my website. If you send me a donation, and I’ll send you all 7 locked tracks. It’s like a whole bonus general fuzz EP. I also built a “song unlocker” on my website to incentivize folks to spread my music on the internets. If you simply post my website anywhere on the internet (facebook, twitter, google+, blog, etc), let me know, and I’ll unlock a bunch of tracks for you.

Many thanks to Chris Brown, Nora Barrows-Friedman, Dave SG, and of course my incredible supportive wifey, Stiners “the pants” McGee.

The album art was a photo taken by Sophie Thouvenin.

I do very much hope you enjoy this release. Feedback of all kind is always welcome.

Thanks so much for listening.